It's actually all constructed, but it's all constructed with non-actors, with real London people, in different parts of London. People think that the handheld camera and documentary realism is something new, but that film is the ultimate in shooting that style, as though you are just grabbing things. I've always remembered that film and the style in which it's done. It's a black-and-white recreation of the breakdown of society after a nuclear attack, and to watch it as a teenager during the Cold War, as it was then, was pretty intense. It's what would happen if a nuclear bomb fell on London. It won Best Documentary at the Academy Awards that year but it's not a documentary. The War Game was one of the first films I saw in that film society. Everything! It's almost a religious experience."ĭirected by: Peter Watkins | Cinematography by: Peter Bartlett "It is a combination of images, and sounds, and words, and music - the works. "When films are really good, you can't talk about them, because they're doing something that is not explainable with words," he hems. He is widely regarded as one of the most masterful cinematographers in the history of cinema.īelow, Deakins shares with A.frame five films that had the greatest impact on him, though he may not always be able to put into words exactly why. ![]() Since then, he has shot dozens of films, including The Shawshank Redemption (1994), Fargo (1996), O Brother, Where Art Thou? (2000), The Assassination of Jesse James by the Coward Robert Ford (2007), Skyfall (2012), Blade Runner 2049 (2017), and 1917 (2019), the last two of which earned him Oscars. "I'd seen everything from Alphaville to Last Year at Marienbad - loads of movies - and I was really turned onto movies then."ĭeakins eventually attended England's newly opened National Film School. ![]() ![]() They put up a little temporary screen, and they had a 16mm projector, and they'd show a classic movie - well, then contemporary films, but they're now classics," he recalls. "I joined a little film club they used to run in Torquay in the winters. But during his breaks from school, Deakins would return home, where he inadvertently fell in love with cinema. In the late '60s, he would travel to the Bath Academy of Art to study graphic design, and then, photography. Roger Deakins' passion for film - a passion that's led to 15 Oscar nominations and two wins for Best Achievement in Cinematography - began more than half a century ago in Torquay, the traditional seaside town in South West England where he was born.
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